I build AI systems
and the 3D worlds
they run in.

1st of 141 at Slapjam #1 (Theme #1, Fun #2, Visuals #4): pick a fire, ice or lightning dragon, tilt your phone to fly, and burn a castle guarded by archers, ballistas and a wizard boss.

A top-down 3D action-horror game for RUN’s October Jam: a father turned into a monster fights through five chapters and five bosses to win back his humanity and get home to his family.

A WhatsApp–style phone app for talking to the AI coding agent running on my Mac at home.

My own AI on the Mac: I talk only to her, typed or by voice from the iPhone, and a team of five agents does the work.

A Mac menu bar app that records a meeting and writes the minutes: decisions, action items and open questions.

Hand files between any two devices from one web page — iPhone to Windows, Android to Mac — straight from browser to browser, with nothing to install.

A hundred and ten small tools in one web page — JWTs, YAML and cron, but also image compression, PDF merging, colour palettes, audio and video trimming and on-device AI cut-outs — that hand results to each other, chain into workflows and keep working offline.

A website for a family homestay in Melaka: prices, video tours and a live calendar, with bookings sent straight to the owner on WhatsApp.

Paste a video link from YouTube, TikTok, X or 1,800 other sites and download its transcript, with timestamps that jump back into the video.

An anonymous wall of paper notes: pin a confession, read everyone else’s, and watch every note fade until it is gone after seven days.

Build the LEGO 75192 UCS Millennium Falcon in the browser, all 7,562 pieces in 1,489 steps, with a booklet the app draws for itself.

A tiny native Mac menu bar app that keeps my Claude plan usage in view: the five-hour session and the weekly limit, turning orange at 70% and red at 90%.

A first–person football game where you referee a full 11–a–side match and are marked against the real Laws of the Game.

Shake your phone to pressurise a soda bottle, tilt it to aim, and fling the cap down a park — or into a bin. Four drinks, slow-motion replays, and every 3D model built in Blender through an MCP.

An online party game for up to 12 in the browser: a falling elevator opens for fourteen seconds per floor; grab loot and get back in, or haunt the living as a ghost.

An isometric action RPG in the style of Diablo and Path of Exile, with roles, acts and a loot loop.

Drag a 3D model into the browser and get a 3D–printing price — nothing is uploaded; the page works out the plastic and the hours itself.

A learning platform for a tuition centre, with separate views for students, parents and the centre.

A finance demo that follows supplier invoices from received to approved to paid, built on realistically messy data.

A realistic Earth you can zoom from street level out to the Milky Way: every satellite live, when to see them from your street, and the real night sky.

A Japanese class in a browser tab that will not move on until you have said the phrase out loud.

A Blender add-on that exports a whole scene to Unreal with the names, scale, pivots and collision Unreal expects.

A Blender add-on that turns a sculpt into a game–ready asset in one press: clean quads, UVs, a baked normal map and LODs.

The receiving bay for 3D assets: it checks every downloaded or generated model and says in plain words whether it is ready for a game engine.

A small copy of a security company’s client and operations portals, built in Retool to apply for a developer job.

A drawing party game on one passed–around device: write, draw, guess, then reveal the whole chain.

A 1970s quiz–show bluffing party game for 3–10 players: write a fake answer convincing enough to fool your friends.

A photography game in a kampung yard, where the camera works like a real one and a client marks your pictures.

Battleships, played from the bridge of a battleship instead of on a grid.

A one–thumb mamak stacking game: tap to drop the food, grow the tower, and watch it collapse with real physics.

A plain Tetris, built to test what Claude can make inside GDevelop, the no–code game engine.

First-person horror where glowing paint is both your light and your weapon, with an original Blender industrial asset kit.

A top–down shooter where the hero walks one way and aims another, with the missing animations built from the ones that existed.

A small 2D fantasy action RPG prototype: one hooded ranger, a courtyard and two bow attacks.

A Roblox game where you learn to code by writing it — your code is the controller that walks the robot.

A game–jam entry: fling a floppy rag–doll knight over the moat to knock the king off his wobbly tower.

A calm pottery game for phones: shape towers on the potter’s wheel with one thumb for seven royal visitors.

Wave-based FPS zombie game, built as my final year project at UTeM. Unreal Engine 5 with Blender assets — level design, enemies and gameplay programming.

A 1v1 street-food stall competition set in a Malaysian hawker centre. All 3D assets and game design, built in Blender and Unreal Engine.

A village elder against local supernatural entities — Malaysian folklore as a game setting. 3D assets and game design in Blender and Unreal Engine.

A VR game in Unreal Engine 5.1, built by a friend for a programme teaching students the fundamentals of VR development. I helped with the 3D. It is localised throughout: local fruit, the Petaling Street arch and a paddy field level.

Stylised chibi character model, sculpted and shaded in Blender.

Facial rig study in Blender — building controls for expression and lip movement on a character head.

Environment and prop modelling for a ghost-hunting scene, built in Blender.

3D reconstruction of the VR lab at FTMK, UTeM — the room, its equipment and layout modelled in Blender.

Interior architectural visualisation of a classroom hub, modelled and rendered in SketchUp.

Architectural visualisation of a college interior — space planning and materials in SketchUp.